Renowned Canadian First Nations artist Klatle-Bhi has been perfecting his craft since the early 1980s. His distinctive and original carving style has captivated audiences worldwide.

Klatle-Bhi’s masks are a testament to his exceptional skill, showcasing the kaleidoscope of human emotions with precision and nuance. Each piece is carefully crafted, one chip at a time, from a block of wood.

As a Northwest Coast artist, Klatle-Bhi joins a prestigious group of talented individuals. However, his unique style sets him apart, reflecting a journey that began when he first started carving in 1966.

Growing up surrounded by the rich Kwakwaka’wakw culture of mask dancing, singing, and potlatching, Klatle-Bhi was immersed in the traditions of his ancestors. Today, he plays a vital role in the revival of canoe journeys and strives to preserve the language, dances, and songs of his heritage through active participation in traditional activities.

His artistic journey started early – heavily by influencing by the culture and traditions of his people.

He spent years studying the works of his ancestors, displayed in local museums and galleries. He also apprenticed with esteemed Kwakwaka’wakw master carver Simon Dick for two years and later honed his skills under renowned carvers Beau Dick, Wayne Alfred, and Wade Baker.

Carving is not only a cultural expression of his ancestors but also an exploration of Klatle-Bhi’s personal and spiritual journeys.

In 2002, he was commissioned to create a majestic 22-foot totem pole for the Vancouver 2010 Winter Olympics.

Today, his work can be found in prestigious collections worldwide, including the Museum of Arts and Design in New York City, as well as various galleries and private collections in Vancouver, Toronto, Washington, New York, California, and Spain.

In 2018, Klatle-Bhi embarked on a three-week journey to the New Zealand Māori Arts and Crafts Institute as part of the World Indigenous Business Forum, where he delved into Māori design and further expanded his artistic horizons.