Cherish Alexander is a rarity.

She is a Northwest Coast carver carving in a male-dominated field.

She has developed a style uniquely hers through her lines and form, common to all carvers but with each artist having their own.

Her hallmarks are intricate designs, bold lines, and vibrant colours, often featuring eagles, wolves

Her work may feature traditional Northwest Coast creatures such as:

• Ravens: Symbolizing transformation and change.
• Eagles: Representing strength, leadership, and prestige.
• Bears: Signifying protection and courage.
• Wolves: Emblematic of loyalty and family.

Her passion for art – rooted deeply in her cultural heritage of the rich traditions and stories of her people, the Gitwangak.

In 2007 (the only female in her class) her studies in art began at the world-renowned Freda Diesing School of Northwest Coast Art, located in Terrace, B.C.

The school – solely dedicated to teaching aspiring artists First Nations art – many of its sessional faculty being renowned master carvers, Dempsey Bob, internationally known, being a teacher of hers.

Like all Northwest Coast artists Cherish has a deep-rooted desire to preserve and celebrate her cultural heritage through her work and, yet, bring her unique perspective and creativity to her pieces. 

Recently – a clear cut sign of her abilities and skills – some of her work was included in a major exhibition at the Audain Museum in Whistler, B.C., home to its extensive collection of Northwest Coast Art, considered by some to be the finest in the world.

The exhibition – CURVE! Women Carvers on the Northwest Coast – sheds light on a lesser-explored facet, women’s contributions to the rich tradition of carving wood.

The exhibition – a selection of female carvers active from the 1950s to present day, highlighting the pivotal role of women artists play within the larger tradition of indigenous carving along the coast of British Columbia.

As a young female carver, Alexander serves as a role model for girls and women, encouraging them to explore their creativity and pursue careers in the arts.

In many Indigenous cultures, including those of the Northwest Coast, women play a vital role in passing down cultural knowledge and traditions. Alexander’s work helps to revitalize and honour this matriarchal heritage.

Cherish Alexander’s carvings are deeply rooted in the traditional Northwest Coast art style, characterized by intricate designs, bold lines, and vibrant colors.

One of the co-curators of CURVE, Dana Claxton, is a renowned Hunkpapa Lakota filmmaker, photographer, and performance artist.

She wrote this about Alexander’s art:

“Her carvings often feature intricate details, such as delicate patterns, textures, and shapes, which showcase her exceptional skill and attention to detail. Every carver’s incision is unique. It all depends on the curve of the blade, the bend of the wood and the movement of the artist’s hand. The way Alexander shapes the ears, eyes and mouth are forms that are entirely specific to her.”