Joe David is a leading figure in modern Northwest Coast Indigenous art.

Multi-talented, he carves, paints, blows glass.

As an artist he always respects his cultural heritage with his ability to blend traditional and contemporary elements.

Considered one of the most important proponents in the revival of traditional Nuu-Chah-Nulth carving and design – his art features bold lines and geometric designs, often using asymmetrical elements and abstract symbols.

David’s masks are bold with expressive designs, that can include animal figures, human faces and supernatural beings, each carrying significant cultural and spiritual meanings.

His paintings and prints are equally diverse, ranging from acrylics on canvas to mixed media works, pieces on paper – often exploring themes of nature, spirituality, and identity – all done in vibrant colours and dynamic compositions.

In 2000, he was the first artist chosen for the Aboriginal Artist in Residence program at the Pilchuck Glass School. Subsequently he started making glass sculptures.

He began carving while living in Seattle, where he apprenticed with Duane Pasco and studied under Northwest Coast art historian Bill Holm. David’s art is found in public and private collections, including the Royal British Columbia Museum, the Canadian Museum of History, and the UBC Museum of Anthropology.